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ADOBE AFTER EFFECTS CC 2018 SUCKS CODE
Most existing expressions should be forward-compatible (though the legacy engine is still an option if you enjoy writing code like it’s 1999). We’ve also added much-requested UI niceties like a monospace font in the editor, and auto resizing. **Not only is it built on modern frameworks, which means access to all kinds of new coding techniques,it’s up to 5x faster. Note that the new release of Animate (19.0) must also be installed on the same machine in order to import.īut my favorite new feature is under the hood: we’ve built a new **JavaScript expressions engine. Animate project files (.fla) are transformed into layered compositions of. Add visual effects and extra polish to your Adobe Animate CC creations by importing them into After Effects as compositions.
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For Animate, you can now import Animate CC projects as layered After Effects compositions. Interaction designers can send groups of layers to After Effects to composite into video, define advanced micro-interactions, or create more complex and refined transitions and interactions. This new functionality provides seamless asset transfer between XD and After Effects, with native support for layers, artboards, vectors, text, and artwork. The latest release of Adobe XD CC can export layers and artboards directly into your After Effects project. Two exciting features, both of which make it easier to collaborate across Creative Cloud, have to do with our integration with both Adobe XD CC and Animate CC. And, as a bonus, 3D Channel Extract is now 32 bit. Read Z-depth data from any 3D composition using either the Classic 3D or CINEMA 4D renderer: simply apply 3D Channel effects (Depth Matte, Depth of Field, Fog 3D) directly to a 3D precomp, or use 3D Channel Extract to access the depth pass directly for other purposes. You want to make 3D composites look natural, no matter where your 3D content comes from, so we’re enabling you to access **depth passes **for native 3D layers. Here’s one I always found puzzling: I could create 3D layers in After Effects, but the 3D Channel effects only worked with renders generated by other applications. We’re also working to smooth out some of the workflow gaps that can appear when combining assets from many different sources. They make it easier to build more complex animation quickly, and they’re a ton of fun to play with. Bend, twist, scale, and warp your layers with new **Advanced Pins **and Bend Pins that take Mesh Sculpting to a whole new level.Īdjust the position, scale, and rotation of pins to add a sense of depth to your deformations - or try using them as a sort of free-form mesh warp tool. This fall, we are adding two new pin types that open up whole new ways to animate.
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Earlier this year, we took that idea literally: the After Effects team introduced a new Advanced Puppet Engine that gives users more control over Puppet Tool deformations. Faster, more precise animation and compositingĪs a longtime motion designer, I know how important it is to have flexible tools. And if you’ve always wanted to get into After Effects but didn’t know where to start, friendly new Home and Learn panels give you the guidance you need to be successful. This fall, After Effects CC artists get more creative control and performance improvements to help meet ever-tighter deadlines. Design With More Control and Performance Improvements in the Fall 2018 Release of After Effects